Presenters
Presenters at Chapter Events since 2009. You may type in a name or part of a name to quickly search the list.
Jessica Kantor is highly sought after for her work in virtual and augmented reality, having developed a unique perspective of place, movement, and
tbd
As CEO of Light Field Lab, a breakthrough technology startup, Jon Karafin applies his expertise to designing and scaling the company’s groundbreaki
Hailing from Seattle, Washington, Maya Karp has been loving animation her whole life.
Dave Kasik retired as Boeing's Senior Technical Fellow in visualization and interactive techniques in 2016.
Gregg Katano is a media entrepreneur, solutions architect, and educator with over 20 years of experience in the areas of production, visual effects
Brooke Keesling is the Head of Animation Talent Development at Bento Box Entertainment.
Sean Keeton is a video game art director, gallery artist, and muralist. He has served as art director on video games for Sega and indie studios Thr
Professor Sarah Kenderdine researches at the forefront of interactive and immersive experiences for galleries, libraries, archives and museums.
Narae Kim is a visual artist who creates experiences in both physical and virtual spaces.
Pete King is Executive Producer in the Los Angeles studio where he leads the production team in delivering cutting edge content to The Mill’s autom
Kleiser has consulted with the Bose Corporation on experimental multichannel sound systems, and has built a DIY Atmos mixing room at the Synthespia
Saker Klippsten has been CTO of Zoic Studios an Emmy Award winning Visual Effects company, for the past 19 years.
Academy-Award and BAFTA Award winner, John Knoll, is one of ILM’s longest serving and
Christian Knudsen aka Bunnybags is a multimedia artist currently living in Los Angeles mostly known for his collage, interactive design and video a
Andy Kopra has over twenty-five years of computer graphics production and software development experience, including work at Digital Effects Inc.,
As a design major at UCLA in the 1980's, Michael Kory was first exposed to the field of 3D computer animation, an emerging medium that represented
